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Cassette + Digital Album
pro duplicated with full color inserts. The digital only bonus track The Edge of Crisis is NOT included on the physical copy
Includes unlimited streaming of ORGAN CHOIR DRONE
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Compact Disc (CD) + Digital Album
full color art in DVD case shrink wrapped, on disc printing. The large format release is perfect for showcasing the fantastic and well suited artwork of Bradley Kokay.
The digital only bonus track The Edge of Crisis is NOT included on the physical copy
Includes unlimited streaming of ORGAN CHOIR DRONE
via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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For 2023, and for the 40th year of Illusion of Safety's existence, the project's progenitor Daniel Burke invited Arvo Zylo to work with him in putting together this release of previously unheard material. This entailed going through many hours of audio and deciding whether or not it could be useful, either as source material or finished product, but also included certain "treatments" and editing decisions from Zylo, in the process of deciding what was finished and what was simply source material.
Burke says: "I worked diligently with Arvo compiling and mixing the best material available, distilling the modes and methods I've been using for some years: field recordings, electronics, electro-acoustic, and synthesis. Some of the raw materials are my first recordings with the Eurorack modular synthesizer dating back to 2010, and were used in the collaboration with Shen Wei Dance Arts for our performance at the Metropolitan Museum of Art NYC in 2011."
credits
released March 1, 2023
SOUND: DANIEL BURKE
SEQUENCE/TREATMENTS: ARVO ZYLO
ART BY: GRIEF COUNCIL/BRADLEY KOKAY
MASTERED BY: THOMAS DIMUZIO
Organ Choir Drone might be noteworthy for how much it promises and teases an organ drone, but opts to keep it out of the frame. The first two cuts, over 12 minutes, dart between screetchy-leechy eurorack stigmata, or low-flying ambient terror; with a low-end rumble akin to black helicopters over the compound. The brevity of these pieces make for tender snapshots; both Burke and Zylo were feeding off of each other, and what Zylo was opting to curate carefully around exploring all aspects of this blackened noise, especially considering 3 of the later cuts run over 10 minutes. By track 3, Organic Pistons, when we even are finally come ear to ear with a droning organ it lulls like hunchback bells. Rumbling with a furious low end that channels a lot of intensity under an incredible sullen, discomfortingly reverent organ drone. Waste of Civilization mends all 3 of the previous side A pieces together into straight up stalker-plasma. Flashes of light come through, amongst radio static silence and the haunting non-organ drone. Yet it’s truly haunted by a piercing sound, one parallel to ferric tape wailing–if you’ve got old Columbia or EG tapes you know the sound. Quixotic in the best of ways as a listener; an extra layer of immersion to the experience.
Side B comes back bigger and deffer. It opens with a literal piece called Black Helicopters! And it sure does sound like sky monsters scraping the sky, surmounting a steelworker’s drone even Norman W. Long would shed a tear towards. That it happens to features a processed guitar chord loop gives it dimension and a space to expand to and let take over, curling over the chord into a new liquid drone. Groundswell Horns seamless enters into focus, an all encompassing blackened ambient dub cut for it’s first dozen or so minutes. It wisely jettisons any real sense of motion; just crackles, subterranean bass rumbles, and a small growl of horns. It lashes in a thrilling, visceral manner as piece swells into alien noise generator tones in its final third. It won’t swallow you whole, but it’ll really unhinge your swagger. Enough for the detente of Blackout to land as both a blessed field recording sanctuary and a heartbeat-skipping claustrophobic closing to the C50. A baptism in Eurorack never felt so spine-tickling.
Since 1983, Burke and his many conspirators under the IOS banner have over the course of 40+ releases traversed most every
facet of the avant sound plane, from early industrial pop deconstruction to blindingly minimal sound art to densely surreal found-sound collage, creating uneasy music that is dense and dystopian and yet also beautiful....more
razed abandon is what i love about this project, no holds barred all out frontal delivery of the feelings at hand, no filter, real freedom of expression. blistering and detailed Illusion of Safety
like a trip to another world somewhat opaque in nature, like a cloud surrounding your field of sound and vision, clarity is almost attainable and you float in obtuse syrupy gel Illusion of Safety
fascinating blend of who the fuck knows what! and i mean that in the best possible way. reminds a bit of one of my favorites The Hafler Trio, unknown sounds put together in a concise narrative Illusion of Safety
Hong Kong's Enor D reinterprets nursery rhymes as noise pieces with elements of musique concrete on this playful new album. Bandcamp New & Notable Apr 5, 2022