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In Session

by Illusion of Safety

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1.
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Protoplasm 06:03
3.
Waiting Room 06:36
4.
Tolerance 10:00
5.
6.
Fragile 10:44 video

about

The first proper record from Illusion Of Safety in well over 5 years emerges from the Russian label Waystyx, meaning that this will not be around for long and will not be easy for us to track down once these are gone. Just a caveat before we launch into the, um, virtues of this exercise in muscular electronics and brainmelting dronescaping. Illusion Of Safety began well over two decades ago, firmly embracing the death factory imagery and psychological tension that came through the work of Throbbing Gristle, John Duncan, and The Hafler Trio. While the grizzly subjects of torture and sexual violence have dissolved over time, Illusion Of Safety's interest in unsettled soundscapes, collages, and electronic walls of noise remain as powerful as ever. Illusion Of Safety has always been a revolving door project centered around Chicago's Dan Burke; and In Session finds Burke alone at the helms of Illusion Of Safety, concocting a dizzying series of arcing electroshock compositions filled with intense dynamics and rapid crescendos of incremental noise quickly nosediving into subharmonic tones and microtonal squiggles, with plenty of slow building elements in between. The piercing drones that dominate the Illusion Of Safety palette are matched with crumbled textures from electronic circuits on the verge of collapse (see Wolf Eyes, Carlos Giffoni) and contact microphone agitation (see Tarab, Eric La Casa, Loren Chasse, etc.). There's one track of grim psychedelic arpeggiations which sounds as if Prurient were attempting a Terry Riley piece, with bad intentions running through the phase shifting loops. Totally fantastic, if not totally disquieting! -Jim Haynes

When they started they were firmly rooted in the world of industrial music, and later on elements of musique concrete came along, but if you listen to 'In Session' the elements of industrial music are still there. Heavy, steel walls of drone music pierce your ears and are as easily replaced by soft drones, crackling sounds of hand held objects and contact microphones. I wouldn't be surprised if Burke plays all of this 'in session', live at home so to speak. I saw him a lot of times playing concerts which capture the equal beauty that is captured here. Ranging from sheer noise to near silence and there is always an element of surprise lurking around the corner. An abrupt, full stop or start and it bring the piece in a new territory. Illusion Of Safety's music can be compared with the likes of Roel Meelkop or Toy Bizarre, but is less bound to rules of composition and more free and joyous (well, that's probably not the right away) than those of the microsound/musique concrete posse that inhabits the world of Vital Weekly so frequently. That alone makes a great band and another great CD. Very fine concentrated bursts of sound." [FdW / Vital Weekly]

credits

released August 8, 2008

Music by Dan Burke. Packaged in stamped, triple-folded, cardboard cover. Limited to 500 copies. released by Waystyx Waystyx 40. Mastered by Thomas Dimuzio @ Gench San Francisco.

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Illusion of Safety Elgin, Illinois

Since 1983, Burke and his many conspirators under the IOS banner have over the course of 40+ releases traversed most every facet of the avant sound plane, from early industrial pop deconstruction to blindingly minimal sound art to densely surreal found-sound collage, creating uneasy music that is dense and dystopian and yet also beautiful. ... more

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